What is Stained Glass

There is a mystery to glass: It is a form of matter with gas, liquid and solid state properties. Glass is most like a super-cooled liquid. It captures light and glows from within. It is a jewel like substance made from the most ordinary materials: sand transformed by fire. Before recorded history, man learned to make glass and color it by adding metallic salts and oxides. These minerals within the glass capture specific portions from the spectrum of white light allowing the human eye to see various colors. Gold produces stunning cranberry, cobalt makes blues; silver creates yellows and gold and copper makes greens and brick red.

Glass Artisan History

Stained glass artists became glass painters as the form became closer and closer to panel painting. Lead lines that were once accepted as a necessary and decorative element became structural evils to be camouflaged by the design.
The Renaissance brought the art of stained glass into a 300 year period where windows were white glass heavily painted. They lost all their previous glory and it seemed the original symbolism and innate beauty of stained glass was forgotten.
In the 15th century, the apex of high Gothic, the way stained glass was viewed changed. It became more a picture and less an atmosphere. Paler colors admitted lighter and figures were larger, often filling the entire window. Paint work became more sophisticated, more like easel painting. The rediscovery of silver stain allowed the artist to realistically depict yellow hair and golden garments.
In this period, stained glass became a fashionable addition to residences, public buildings and churches. Heraldic glass showing detailed shields and coats of arms on simple, transparent backgrounds was common. Much of what stained glass was became forgotten.
The 18th century saw the removal of many medieval stained glass windows. They were destroyed as hopelessly old fashioned and replaced by painted glass.
England in the mid 1800’s saw a revival of interest in Gothic architecture. Several amateur art historians and scientists rediscovered the medieval glass techniques. Pieces of glass were tested and their color secrets unlocked.
Glass studios in England made their versions of medieval windows for Gothic Revival buildings. The Bolton Brothers, English immigrants, established one of the first stained glass studios in America. These Gothic style windows enhanced churches and simple ornamental windows and painted figural windows were the norm until the development of a distinctive American style.
John LaFarge and Louis Comfort Tiffany were two American painters who began experimenting with glass. Contemporaries, but working independently, they were trying to develop glass that possessed a wide range of visual effects without painting. They soon became competitors. LaFarge developed and copyrighted opalescent glass in 1879.
Tiffany popularized it and his name became synonymous with opalescent glass and the American glass movement. LaFarge and Tiffany used intricate cuts and richly colored glasses within detailed, flowing designs. Plating, or layering glass layers, achieved depth and texture. Both made windows for private homes as well as churches.
The process of using thin strips of copper as a substitute for lead came allowed for intricate sections within windows. Tiffany adapted the technique to construct lampshades and capitalized on the new innovation of electric lighting. Tiffany’s customers were wealthy, turn of the century families including the Vanderbilts and Astors. The Tiffany style prompted many imitators and opalescent windows and shades remained popular through the turn of the century.
Tastes changed after WWI. A revival of archeological accuracy in architecture called for new gothic glass windows for the NeoGothic churches. LaFarge had died in 1910, interest in opalescent glass waned and Tiffany remained its last defendant until his death in 1933 and the subsequent bankruptcy of his studios. New craftsmen such as William Willet, Rambusch, Charles Connick and Nicolai D’Ascenzo, made windows for churches across America.
Except for church windows, stained glass remained in decline until the post WWII era. The abstract and expressionist movement in painting influenced a new group of artists to explore artistic expression in the medium of glass. Contemporary church windows may in some way be closer to those of the early Gothic period. Not easy to identify scenes, they again create a pure atmosphere of light and color, inspiring a contemplative attitude through the transformation of the ordinary into the mystical.
Stained glass, or more appropriate art glass, is all around us
today. An explosion of interest in the last 30 years has give rise to many new and imaginative forms of this art. The rise of the individual artist, new technologies and the growing interest in stained glass as a hobby craft have all lead to what is being called a new golden age in glass.
New homes are frequently embellished with spectacular beveled glass entryways, stained glass bathroom windows and Tiffany style lampshades. Decorative panels are purchased just to hang in a sunny window. Marvelous hot formed glass pieces adorn tables, walls, shelves and fill windows. New artists are combining, creating and developing unique new forms and styles every day.